The Fall Show 2016
The City of Rancho Cordova is doing a great job of promoting the arts! Visual arts, public art, and performing arts all are celebrated and supported well by the Cordova Community Council.
The Fall Show 2016 Opening Reception will be held Thursday, October 13, from 5:30 to 7:30 PM in the lobby of the Rancho Cordova City Hall, 2729 Prospect Drive, Rancho Cordova, California 95670. Stop by to meet the artists and enjoy the great variety of art on display .
I have three eggs on display at this show and as an added bonus I’ll be playing Baroque music with the string trio Camerata Cordova at the reception beginning at 5:30 PM.
Working in Series
Sometimes design ideas just pour out of my head and onto the eggs and I can’t find enough studio time to complete them all.
Then there are other times when I sit staring at a clean white egg and experience what I call “Blank-egg-o-phobia.”
You know the feeling. You want to create and yet you sit and stare at that unstarted project and the longer you sit and stare, the harder it is to get started and pretty soon you realize that your studio is a mess and you should really organize it better but first you need to move everything off your table and you discover it is incredibly dusty which requires a trip to the kitchen to get the cleaning supplies where you remember that you forgot to unload the dishwasher and two hours later you finally come back to your studio and decide you’ll try again tomorrow.
Please tell me I’m not alone here.
So how do I get past this? Artists everywhere have discovered that working “in a series” can help unleash creativity again. A “series” just means creating a body of work with a common theme. It doesn’t even matter whether you decide to link all your work by color, texture, subject, or style, a series will provide definition and boundaries.
It’s very counterintuitive, but limiting my choices requires me to think more deeply about the subject. It’s an opportunity to explore those ideas fully and to learn from each step. The same rules that limit me will keep me on track but free me to get creative in discovering new solutions to design problems. Fear of ruining a piece can keep me stuck but working in multiples can get me unstuck.
As I started thinking about this topic, I noticed that God also works in series. Think about trees, for instance. God designed all trees with the same basic parts… roots, trunks, branches, leaves. That could get boring pretty quickly but God, the infinitely creative artist, started playing with all those parts using color and shape and size. I’d venture to say there is an infinite variation in the tree world but all within the boundaries of those same boring parts…roots, trunks, branches, leaves. Take a look around you. It’s not just in trees, it’s in everything…clouds, rivers, rocks, and people too. Absolutely everything shows God’s creative handiwork within a set of rules.
The lesson here? Rules are your friend both in art and in life.
Returning to my studio here…Let me give you a peek at my latest series. Quite a contrast to my usual multi-colored eggs with lots of fine lines, these Trypillian-style eggs require only three colors…white, brown and black. The designs are very bold, simple and repetitive but as a group I find them fascinating. Hope you enjoy them too.
Arts Camp 2014
Once again I’ll be teaching a week-long class of 5th and 6th graders how to create pysanky. Oak Hills Church in Folsom, California, bursts with activity as the campus transforms into a vast studio of kids and volunteers all focused on finding God through the arts.
Dance, music, theater, visual arts, creative craftsmanship, and even culinary arts come alive as we all learn how to nurture our creative souls.
For more information and to register, click here.
Passing It On
More than thirty years ago in my former life (those days before marriage and children) I worked as a registered nurse first in a hospital and then in a doctor’s office. Another life chapter began when I started teaching Body & Soul, an international program that combines faith and fitness. Twenty three years later I’m still leading my fitness class weekly and have also been speaking and demonstrating the art of pysanky to individuals and small groups whenever the opportunity arises.
As I reflect back on all those experiences I noticed a common thread…teaching. I never thought of myself as a teacher before but the more I thought about it, the more it makes sense. Even when I worked as a nurse, the part I liked best was that one-on-one time teaching.
I delight in taking complex topics, breaking them down to understandable pieces, and communicating those ideas in a simple way the listener can grasp. I also love the challenge of coming up with different ways to transmit knowledge to help the student gain success. And I especially love seeing that student’s eyes light up with understanding when the “light bulb” turns on at last.
In a couple of weeks I get to teach another group of fifth and sixth grade students all about this egg art called pysanky. Arts Camp 2013 at Oak Hills Church in Folsom is one of the highlights of my year. Students from first through sixth grade come together for a week of fun and excitement where they explore a particular art and in the process learn more about the God who created them.
If you know of a student who might be interested, it’s not too late to sign up for this great adventure. My class still has a few spots left and I know there are openings in a wide variety of other arts as well. For more information, click here.
Let the fun begin!
Quilts and Eggs
The Art & Soul Gallery sits in the lobby of my home church, Oak Hills, and we rotate art through there every couple of months or so. Currently we’re showing a collection of quilts by Debby Schnabel, a local artist, and the colors, variety, and workmanship are stunning to say the least.
I had the privilege of “hanging” this gallery, which simply means I took part in arranging the quilts and physically mounting them on the walls for display. It usually takes two or three people to do the work of hanging a new gallery. This time Debby Schnabel, the quilt artist, and my painter friend, Randy Blasquez, formed the hanging team.
Just as we do with paintings we laid all the quilts out on the floor to arrange them by color. Then came the process of figuring out how much space we had and making sure we had a good flow to the whole display. Finally, we mounted the quilts on the wall. Whew. Job well done.
As we worked, I noticed both Debby and Randy had an eye for color and scale with those large quilts that I didn’t have. And both could spot a quilt hung out of level quickly. It was a different experience for me. My eye works best in tiny details. Working with objects this large, I found I was out of my element.
I love seeing those quilts on the gallery wall, but I really loved coming home to my studio and working on my newest series of quilt-inspired pysanky. To each her own!
Go See Dimitri
You can now find my eggs at Village Treasures in Fair Oaks Village. This eclectic shop combines jewelry services with interesting art, and fine olive oils, chocolate and honey. The owner, Dimitri Grekoff, is quite familiar not only with the art of pysanky but also with its cultural heritage. Besides that, he’s just fun to talk with, so if you’re looking for a field trip as we head into fall, wander over to Old Fair Oaks and stop in for a visit.
Village Treasures is located at 10144 Fair Oaks Boulevard, Fair Oaks, California
My People
Pysanky artists seem to be few and far between here on the West Coast. This art originated in the Eastern European area of Ukraine, Poland, Russia, Lithuania etc. and immigrants brought it to this country. Like my dad’s family, most of them settled on the East Coast or across Canada and not so many came to central California where I live now. As a result it is rare for me to meet others who share my love for creating this type of egg art.
Thankfully the internet has put other artists within my reach. Just over a year ago I joined an online pysanky chat group and began learning new techniques and tips from our discussions. I thought I knew a lot about creating these eggs already, but found a whole new world of fun to explore. These new-found friends willingly shared knowledge and sparked a renewed excitement in me and my work.
A couple of weeks ago I had the amazing opportunity to meet some of these people face to face at a pysanky retreat. Forty of us spent time hanging out together at a beautiful retreat center in Dalton, Pennsylvania. I walked into that place never having met anyone but immediately I felt like I was among “my people.” 
The names I knew became faces as we all spoke the same language and got excited about the same things. Together we took classes, admired each others’ work, freely shared ideas, and continued our own projects.
In short, I lived and breathed pysanky.
I think I just got a taste of heaven.
Floral Blues at the Kennedy
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As part of the 4th Annual Spring Flower Show at the Kennedy Gallery you can see some of my classic blue and white eggs in various sizes from quail to ostrich.
Join the artists this Thursday, April 12, from 6 to 8 PM at the Preview Thursday Reception.
And don’t forget the Second Saturday Artwalk April 14 from 4 to 9 PM.
Intersections 2012
I believe God built into each of us a desire for community, both with Him and with our fellow travelers on this earth. As an artist, I find that rubbing elbows with other artists inspires my in my art and in my spiritual walk in a way nothing else does. And I don’t get to experience that very often. That’s why I so look forward to the annual conference on faith and art called Intersections, held at Oak Hills Church in Folsom, California.
This conference covers a broad range of the arts, from drama, to dance, to music, to film, to visual, technical, and even the culinary arts. Throughout the day we were encouraged to use the supplies on our tables to paint a small section of plastic that we could stick to a window in the back of the auditorium. As the day progressed, so did our group “stained glass window.”
The visual artists were easy to spot. They dove right into the paints and started producing multiple pieces right away. I found watching the non-visual artists even more interesting. In some I saw the initial reluctance give way to experimentation and finally a joy at simply playing with paint.
Even more fun, was watching people add their painted pieces to the growing design on the window. Intricate designs and plain colored pieces randomly combined to create beauty where before there was nothing but empty space.
Great speakers, God-breathed conversations, and thought-provoking words filled our time together. The icing on the cake for me came as we wrapped up at the end of the day. With the light from outside shining in, our group “stained glass window” became a physical representation of community to me. And I needed that. I really needed that. In fact, we all do.
New at the Ordaz Gallery
Need an excuse to go for a short drive? Come see some of my Christmas pysanky at the Ordaz Gallery in old town Auburn, California. Frank Ordaz, an award-winning oil painter, specializes in portraits and you can chat with him as he works in this downtown gallery/studio Tuesdays through Saturdays.
If a Tree Falls in the Forest…
Sharing our art with others brings up the question, “Is it still art even if no one else ever sees it?” I used to think the answer was a total yes, but now I’m not so sure. Art has both a giving and a receiving aspect. It involves both the artist and the art patron. I believe it was actually meant to be shared with a wider audience and not hoarded by its creator.
As some of you may know, in addition to being an egg artist, I also play the cello. I have been taking lessons for a while now and find it’s the most absorbing and yet most difficult thing I’ve ever attempted. I work hard when I practice and enjoy it tremendously. What I don’t enjoy are the recitals my teacher schedules two or three times each year. Thankfully he has separate ones for his younger and older students. Believe me, it really helps to know I won’t have to follow a fourth grader playing a piece much more difficult than mine. Still, I get nervous at the thought of playing in public. And just so you understand how much of a weenie I am, this particular “public” is only the other adult students and sometimes a few family members. Even so, it is PUBLIC playing, not my usual me-and-the-cello-with-the-door-to-the-rest-of-the-house-closed.
I’ve been told repeatedly that the more you do something, the easier it gets. I know lots of “real musicians” who say they love playing before an audience. I have to say I’m still waiting for that to happen with me. On the feeling scale from “terrifying to fun,” my score is still a lot closer to terrified. But I keep at it because I want to be able to share my music with others. As a growth area in my life, this is not easy but I’m convinced it’s absolutely necessary. My prayer is that I will continue to step outside my comfortable boundaries to see what God has in store for me out there. In the meantime, I have to go practice!
In the News
Here’s a link to the May 2011 Sacramento Talent Magazine. Check out page 16 for an article on me and my eggs.
And if you want to see how they are made, come to Bella Fiore on Saturday, May 14 where I’ll be demonstrating the process from 5 to 9 PM.
Layer by Layer
…or Making the Leap from “I Do This Art” to “I am an Artist”
It’s taken me years to actually refer to myself an artist. And I think I’m not alone in my reluctance to claim the label. There is something mysterious and wonderful and scary about that term. If I call myself an artist, then I have to produce art, and be good at art and sell art, and make money selling art, or so we think.
Truthfully the title “artist” is helpful because it describes a way people look at the world…not simply as things you can see and touch and define, but in a way that pierces the thin veil between our finite world and God-breathed eternity. And whether I call myself an artist or not doesn’t change the fact that I am an artist. Simple, huh? Well, not really.
Let me take you layer by layer through my own gradual journey to claiming the title artist.
Layer 1—I Can Create. As did many others, I began exploring creative avenues early in life. For most of us it starts with school projects. Those simple drawings led me to creative writing to playing at miniatures to quilting to cross-stitch to clothespin people and eventually to discovering the fascinating world of pysanky. And now looking back I can follow the thread of creativity through the years.
Layer 2—I Can Do This Egg Thing. Pysanky, the layering of wax and dyes on eggshells, is a simple art yet it holds endless possibilities in terms of color and design. I taught myself the basics from a book and found I loved the challenge presented by each new egg. Even the failures provided valuable lessons as I honed my craft.
Layer 3—I’m Improving. The finished egg was never the goal for me but the process of creating was. I treasured my quiet time creating, leaving the rest of the world behind. My family got to see those works but rarely did anyone else so years of finished eggs lay hidden away in a closet.
Layer 4:
—Am I an Artist? Eventually I began to give away some of these treasured creations to family and close friends. I was so used to seeing these eggs and thinking them commonplace, that the response they evoked surprised me. It made me realize that in sharing my work, I not only gave pleasure to others, I felt incredibly blessed as well. Gradually I let others into the private world of my art, and with much prodding from other artist friends, I “went public” with a solo show at the Art & Soul Gallery in 2006. Developing a website seemed like a reasonable next step but it took years and much hand-holding. Making the eggs is easy, marketing myself and my work is not.
Layer 5—I Am an Artist…I Think. By releasing my work to the world at large, I opened myself to praise and to criticism. This is where real and imagined fears come to the surface and they can paralyze an artist. I know, I’ve been there. And sometimes I’m still there. Thoughts like these race through my head. What will they think or worse, what will they say? What if they don’t like my work, and by extension me? What if my work really isn’t good and no one told me? What if…? I have to remind myself continually that what people think of my art, doesn’t change my work or my passion for it.
Layer 6—I Am an Artist…and So Are You. Having come this far, I sometimes have the privilege of seeing and encouraging other fledgling artists in their own journeys. Being an artist is mostly a solo gig. There’s no getting around the hard, often solitary work it takes to produce art. But because of that, there is great need for community among artists, for standing shoulder to shoulder, for walking together, for helping others to see themselves as God-created artists. Whether we practice our art or not, each of us is an artist and fellow traveler in life’s journey. How much sweeter is the trip when we link arms and help each other along the way.
The Art of Christmas
Oak Hills Church in Folsom, California, houses a lobby art space called the Art & Soul Gallery. This Advent season it featured “The Art of Christmas,” a very atypical collection of Christmas art The show was the result of local artists meeting together regularly for the past few months to encourage each other in creating art based on Scriptures related to Christ’s birth.
If you missed seeing the art in person, you can still enjoy our combined efforts on the Covenant Artist’s website.
Eggs by Teresa 